Products related to Visual:
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Acrylic Expressions : Painting Authentic Themes and Creating Your Visual Vocabulary
Personal symbols and motifs can be explored endlessly when there are a solid number of painting techniques to draw from.In this workshop approach, the reader will be encouraged to explore a chosen theme in as many forms as possible.After learning where to find inspiration (past experiences, memories, intentions, cultural themes, etc.) and how to develop a personal library of symbols, colors and marks, the reader will be guided through 15 techniques to use in her paintings and will also see two or three complete painting projects come together start-to-finish.Notebook Prompts will offer the reader ideas for developing her own new series, showing her how to collect ideas that reflect her personal voice.
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Real Time Visual Effects for the Technical Artist
Visual effects (VFX) are one of the most complicated components of feature film and television creation.With advancements in such technologies as Ray Tracing and Virtual Reality, the visual quality of the real-time rendering engine is now rivaling feature film.Real-time rendering requires years of programming experience with advanced understanding in math and physics. As the power of the real-time rendering engine improves, so too do the interfaces for VFX creation.With limited technical understanding, artists can create VFX with the push of a button and tug of a slider.As powerful as the interfaces are, they can only expose a portion of the true potential of the rendering engine.Artists are limited by their understanding of the engine interface.Real Time Visual Effects for the Technical Artist is written for digital artists to explain the core concepts of VFX, common in all engines, to free them from interface bounds. Features: Introduces the reader to the technical aspects of real-time VFX Built upon a career of more than 20 years in the feature film VFX and the real-time video game industries and tested on graduate and undergraduate students Explores all real-time VFX in four categories: in-camera effects, in-material effects, simulations, and particlesThis book is written to complement undergraduate- or graduate-level courses focused on the fundamentals of modern real-time VFX. Chris Roda is a Technical Art instructor at the Florida Interactive Entertainment Academy (FIEA), a graduate degree program in interactive, real-time application development at the University of Central Florida.Early in his career, Chris was a visual effects artist in the film and television industries where he contributed visual effects for films such as Spider-Man, Titanic, and The Fifth Element.Before coming to FIEA, Chris was a CG Supervisor at Electronic Arts, where he worked on video game titles such as NCAA Football and Madden NFL Football.In addition to teaching, Chris works on generating tools and pipelines for the creation of immersive experiences: the amalgamation of the narrative of films, the interactivity of video games, and the immersion of theme parks.
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BABADADA, Papiamento (Aruba) - espanol, diccionario visual - diccionario visual : Papiamento (Aruba) - Spanish, visual dictionary
BABADADA dictionaries are visual language education: Simple learning takes center stage.In a BABADADA dictionary images and language merge into a unit that is easy to learn and remember.The goal is to learn the basics of a language much faster and with more fun than possible with a complicated text dictionary.This book is based on the very successful online picture dictionary BABADADA.COM, which offers easy language entry for countless language combinations - Used by thousands of people and approved by well-known institutions. The languages used in this book are also called as follows: Spanisch, Espagnol, Español, spagnolo, espanhol, hiszpański
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Visual Criminology
From fine art to popular digital culture, criminologists are increasingly engaged in the processes of the visual.In this pioneering work, Bill McClanahan provides a concise and lively overview of the origins and contemporary role of visual criminology.Detailing and employing the most prominent approaches at work in visual criminology, this book explores the visual perspective in relation to prisons, police, the environment, and drugs, while noting the complex social and ethical implications embedded in visual research.This original book broadens the horizons of criminological engagement and reveals how visual criminology offers new and critical ways to understand and theorize crime and harm.
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Is length contraction real or just visual?
Length contraction is a real phenomenon predicted by the theory of special relativity. It occurs when an object is moving at a significant fraction of the speed of light, causing its length to appear shorter in the direction of motion when observed from a stationary frame of reference. This effect has been experimentally confirmed through various measurements and observations, providing evidence for the reality of length contraction rather than it being just a visual illusion.
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Are visual thinkers also visual learning types?
Visual thinkers and visual learning types are related but not necessarily the same. Visual thinkers tend to process information and solve problems primarily through visual imagery, while visual learning types prefer to learn through visual aids such as diagrams, charts, and videos. However, not all visual thinkers may be visual learning types, as some may prefer other learning styles such as auditory or kinesthetic. Similarly, not all visual learning types may be visual thinkers, as they may simply find visual aids helpful in their learning process.
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What are visual thinkers and visual learning types?
Visual thinkers and visual learning types are individuals who process and retain information best through visual aids such as images, diagrams, charts, and videos. They have a strong ability to visualize and mentally manipulate objects and spatial relationships. These individuals often have a preference for using visual tools to organize and understand information, and they may struggle with purely auditory or text-based learning methods. Visual thinkers and learners often excel in fields such as art, design, and engineering, where their ability to think in images and patterns is highly advantageous.
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What is the visual acuity despite using visual aids?
Visual acuity refers to the clarity or sharpness of vision. Despite using visual aids such as glasses or contact lenses, the visual acuity can vary depending on the individual's specific vision impairment. While visual aids can significantly improve visual acuity, they may not always restore it to normal levels. Factors such as the type and severity of the vision impairment, the quality of the visual aids, and the individual's overall eye health can all impact the level of visual acuity achieved with visual aids.
Similar search terms for Visual:
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Visual Criminology
From fine art to popular digital culture, criminologists are increasingly engaged in the processes of the visual.In this pioneering work, Bill McClanahan provides a concise and lively overview of the origins and contemporary role of visual criminology.Detailing and employing the most prominent approaches at work in visual criminology, this book explores the visual perspective in relation to prisons, police, the environment, and drugs, while noting the complex social and ethical implications embedded in visual research.This original book broadens the horizons of criminological engagement and reveals how visual criminology offers new and critical ways to understand and theorize crime and harm.
Price: 21.99 £ | Shipping*: 3.99 £ -
Visual Culture
This is a book about how to read visual images: from fine art to photography, film, television and new media.It explores how meaning is communicated by the wide variety of texts that inhabit our increasingly visual world.But, rather than simply providing set meanings to individual images, Visual Culture teaches readers how to interpret visual texts with their own eyes. While the first part of the book takes readers through differing theoretical approaches to visual analysis, the second part shifts to a medium-based analysis, connected by an underlying theme about the complex relationship between visual culture and reality.Howells and Negreiros draw together seemingly diverse methodologies, while ultimately arguing for a polysemic approach to visual analysis. The third edition of this popular book contains over fifty illustrations, for the first time in colour.Included in the revised text is a new section on images of power, fear and seduction, a new segment on video games, as well as fresh material on taste and judgement.This timely edition also offers a glossary and suggestions for further reading. Written in a clear, lively and engaging style, Visual Culture continues to be an ideal introduction for students taking courses in visual culture and communications in a range of disciplines, including media and cultural studies, sociology, and art and design.
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Visual Grammar
Life in the image world has made us all voracious, if not always deliberate, consumers of visual messages.Easy access to computer graphic tools has turned many of us into either amateur or professional image producers.But without a basic understanding of visual language, a productive dialogue between producers and consumers of visual communication is impossible.Visual Grammar can help you speak and write about visual objects and their creative potential, and betterunderstand the graphics that bombard you 24/7.It is both a primer on visual language and a visual dictionary of the fundamental aspects of graphic design.Dealing with every imaginable visual concept from abstractions such as dimension, format, and volume; to concrete objects such as form, size, color, and saturation; to activities such as repetition, mirroring, movement, and displacement; to relations such as symmetry, balance, diffusion, direction, and variation.This book is an indispensable reference for beginners and seasoned visual thinkers alike.Whether you simply want to familiarize yourself with visual concepts or whether you're an experienced designer looking for new ways to convey your ideas to a client, Visual Grammar is the clear and concise manual that you've been looking for.
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Visual Vinyl
Collects some of the most visually stunning and evocative album covers from the 20th Century Features homages to numerous important designers and artists, such as Damien Hirst, Yoko Ono and Raymond Pettibon Up until the 1940s, records were sold in plain, uniform jackets.In the post-war years, musicians and record companies discovered that graphically designed record covers had the potential to boost sales.Significantly, in the 1960s contemporary artists began to create record jackets that became an inspiration for others on account of their radical, groundbreaking designs.Many of them have become symbols recognized not only by fans but by the wider public, symbols of an era where artistic freedom, experimentation, and innovation were encouraged.This book is the first-ever comprehensive introduction to these resplendent album covers.They have been taken from the extensive archive of the Dutch designer Jan van Toorn, one of the most active collectors and a leading expert in the field. The book includes surrealist designs by Salvador Dali; covers by famous pop artists such as Andy Warhol, Roy Lichtenstein, Robert Rauschenberg and Jean-Michel Basquiat; works by the Vienna-based group 'Wiener Aktionismus'; and contemporary designs by Jeff Koons, Damien Hirst, Banksy, and Ai Weiwei.Special importance is given to the designs from the circle of Fluxus artists, a radical sixties group who often produced music during their multimedia performances.The Fluxus artists frequently published their artwork on records, as did John Cage and Yoko Ono.Another focus of the book is Raymond Pettibon, who shot to fame when his legendary cover for the punk band Black Flag exploded into the record stores.Full of famous names and artists deserving of greater recognition, this book is the perfect gift for any vinyl-lover."
Price: 35.00 £ | Shipping*: 0.00 £
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What is the difference between Visual Studio and Visual Studio Code?
Visual Studio is a full-featured integrated development environment (IDE) developed by Microsoft, primarily used for developing computer programs, websites, web apps, and mobile apps. It provides a wide range of features and tools for software development, including debugging, code editing, and project management. On the other hand, Visual Studio Code is a lightweight, open-source code editor developed by Microsoft. It is designed for quick and efficient coding and supports a wide range of programming languages. Visual Studio Code is highly customizable and has a rich ecosystem of extensions for additional functionality. In summary, Visual Studio is a comprehensive IDE with a wide range of features for software development, while Visual Studio Code is a lightweight, customizable code editor focused on quick and efficient coding.
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What is better for programming, Visual Studio or Visual Studio Code?
The answer to this question depends on the specific needs and preferences of the programmer. Visual Studio is a full-featured integrated development environment (IDE) with a wide range of tools and features, making it suitable for large, complex projects. On the other hand, Visual Studio Code is a lightweight, customizable code editor that is more suitable for smaller projects and quick coding tasks. Visual Studio Code is also more flexible and can be easily extended with various plugins and extensions. Ultimately, the choice between the two depends on the specific requirements of the project and the preferences of the programmer.
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What is the difference between honest and sincere?
Honesty refers to telling the truth and being straightforward in one's communication, while sincerity refers to being genuine and heartfelt in one's actions and expressions. In other words, honesty is about being truthful and transparent, while sincerity is about being genuine and authentic. One can be honest without being sincere, and vice versa. For example, someone can be honest about their feelings but not sincerely express them, or someone can sincerely express themselves but not be completely honest.
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What are visual diopters?
Visual diopters are a unit of measurement used to quantify the refractive power of a lens. They indicate how much a lens can converge or diverge light rays. Positive diopters indicate converging lenses that correct for farsightedness, while negative diopters indicate diverging lenses that correct for nearsightedness. Visual diopters are commonly used in optometry to prescribe corrective lenses for individuals with refractive errors.
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